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Protest song: Samson & Delilah-Reverend Gary Davis lyrics and chords"
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![Harmony, its theory and practice . Chap, vm.] Chord of the Dominant Seventh. f Handel. Samson. Ill. At Ex. 200 the mediant chord, with the fifth omitted, is inter-posed between the chord](https://c8.alamy.com/comp/2AWR103/harmony-its-theory-and-practice-chap-vm-chord-of-the-dominant-seventh-f-handel-samson-ill-at-ex-200-the-mediant-chord-with-the-fifth-omitted-is-inter-posed-between-the-chord-of-the-seventh-and-its-regular-resolu-tion-on-the-submediant-this-may-be-regarded-as-akin-to-theornamental-resolutions-spoken-of-in-239-at-ex-201-thethird-inversion-of-the-seventh-is-resolved-on-the-root-positionof-the-tonic-chord-instead-of-on-its-first-inversion-and-at-ex202-the-seventh-is-irregularly-resolved-by-rising-to-the-rootthe-last-two-progressions-are-rarely-if-ever-met-with-exceptingin-the-2AWR103.jpg "Harmony, its theory and practice . Chap, vm.] Chord of the Dominant Seventh. f Handel. Samson. Ill. At Ex. 200 the mediant chord, with the fifth omitted, is inter-posed between the chord")
Harmony, its theory and practice . Chap, vm.] Chord of the Dominant Seventh. f Handel. Samson. Ill. At Ex. 200 the mediant chord, with the fifth omitted, is inter-posed between the chord
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